Workshops > Trainers & Coaches

Trainers & Coaches

McLean Emenegger has been providing artist career coaching and Business of Art workshops since 2004. She’s presented lectures and workshops through the National Arts Marketing Project, College Art Association, UCLA Extension, Los Angeles County Arts Commission, Santa Monica College, Center for Cultural Innovation, California Lawyers for the Arts among many others. She joined the faculty of the National Arts Marketing Project in 2016. McLean began her art world career in 1997 at the Santa Monica Museum of Art (now Institute of Contemporary Art, Los Angeles), and later served as Executive Director of Gallery 825/LAAA. In 2004 she established her art consulting and visual artist support firm, McLean Fine Art, and rebranded her agency McLean Art Projects in 2016. Additionally, McLean has worked in the Curatorial Department of the Armory Center for the Arts, Pasadena, and was Director of Bandini Art Gallery, Culver City. She served as Managing Editor of THE Magazine and Contributing Editor for Bluecanvas and wrote their popular “McLean’s Artist Advice”. Her curatorial projects have been reviewed in Los Angeles Times, Artweek, Artscene, Review Magazine and The Huffington Post. Her recent public exhibition, Welcome to LA/Please Come Again, at Los Angeles World Airports was featured on KCET’s Artbound and KPPC’s Take Two.

Apollo Emeka is the Lead Consultant at Apollo Strategy Group with expertise in organizational alignment and leadership development. He developed the STEP Alignment Assessment that helps organizations of all sizes align their Spirit, Team, Environment, and Product to achieve and sustain success. He has experience designing strategic solutions for organizations big and small.

Apollo helps each client align their daily activities with their overall strategy by translating strategy into action. He uses the power of curiosity to challenge assumptions, spur innovation, and explore creative solutions with each client. He believes that the best solutions are not prescribed, they are discovered through collaboration and inquiry. This makes each solution unique.

Apollo is a US Special Forces Green Beret, a former FBI Intelligence Analyst, an entrepreneur, and is earning his doctorate in policy planning, and development at the University of Southern California.

Beth Pickens is a Los Angeles-based consultant for artists and arts organizations. She provides career consultation, grant writing, fundraising, and financial, project and strategic planning services for clients throughout the US. She earned my M.Ed. in Counseling Psychology from the University of Missouri-Columbia. Before relocating to Los Angeles in 2014, she was based in San Francisco where she served as Senior Program Manager at Yerba Buena Center for the Arts and Managing Director of both RADAR Productions and the Queer Cultural Center. She specializes in supporting queer and trans artists, women, and artists of color. She is also the founder of the now-defunct San Francisco Food Adventure Club which gained notoriety for eating a human placenta two ways. Her book Making Art During Fascism will be published by Feminist Press in February 2018.

Corbett Barklie is committed to deep engagement with artists and artist collectives whom she believes are the backbone of the creative community. It is the brave new work undertaken at the grassroots level that informs the field, ultimately shapes the work of arts institutions, and expands the palate of the arts consumer. Corbett was the founding director of Loretta Theatre, the executive director of ARTS, Inc., and an NEA assessor and consultant in the Challenge & Advancement Program. Since 2002, Corbett has been an adjunct professor at the University of Southern California, School of Dramatic Arts. She is a cultural journalist for KCET's Artbound, where she writes a bi-weekly column, "Arts Shrink". Corbett also produces theater with a focus on new work.

Elisa Callow After 20 years experience in executive leadership positions in the nonprofit sector and in philanthropy, Elisa Callow works with organizations in the not-for-profit sector on strategic issues as they relate to program development, audience and market issues, organizational design planning and evaluation, and governance. Additionally, Elisa provides training to support artists’ business practices at Center for Cultural Innovation, is an Advisor for the graduate-level Leadership in Museum Education program at Bank Street College in New York, and has mentored a new nonprofit leader through the Durfee Foundation’s Springboard Fund program.
As founding director of the Armory Center for the Arts, Elisa developed a number of groundbreaking partnerships with schools, city departments, grassroots community organizations and more established arts institutions. Under her direction, the organization grew from $200,000 to over $2 million. The reputation of the Armory became a national model for excellence in community arts program development. Most recently, her work with the Natural History Museum’s Education Division contributed to the museum being honored with the American Association of Museums 2009 Committee on Education Excellence in Programming Award for its community partnership efforts known as the Education and Arts Roundtable. Elisa has served on the boards of a number of arts, environmental and education organizations. She is currently a board member of the Rowe and Gayle Giesen Trust and the Ojai Music Festival, and an Advisory Board member of the Pasadena Conservatory of Music.

Greg Victoroff is the founding partner of the Los Angeles law firm of Greg Victoroff & Associates. Since 1979 Mr. Victoroff has handled intellectual property and business litigation matters, trials and appeals in state and federal courts, copyright, trademark, and intellectual property contracts and insurance issues in the film, fine art, and music industries. Since 1988 he has been an arbitrator and mediator resolving complex entertainment and IP disputes. He has received a Martindale-Hubbell rating of “AV Preeminent,” the highest possible rating in both legal ability and ethical standards. He was named 2014, 2013 Top Rated Lawyer in Intellectual Property by American Lawyer Media.

Mr. Victoroff’s institutional clients have included Concord Music Group, Mark Burnett Productions, Epson, Plaza de Cultura y Artes, the Italian-American Opera Foundation, The Hebrew University of Jerusalem as Trustees of the Estate of Albert Einstein, The Graphic Artist’s Guild, Tacony, Balcony Press, Soft Air USA, Bellwork Press, Intervisual Books, The Erotic Museum, sculptors Carole Feuerman, Tony Delap, musicians Bruno Mars, Chuck Mangione, Phranc, Al McKay and Jonathan Novak Contemporary Art, Timothy Yarger Fine Art and Ikon Fine Art art galleries, among others.

Mr. Victoroff has served as an expert witness in trademark, copyright and idea theft cases and is certified by the State Bar of California as an MCLE provider. He frequently lectures on intellectual property law matters for Bar Associations, law schools, art and music schools across the country, including UCLA’s Anderson School of Business, Yale Entertainment and Sports Law Association, American Bar Association, American Law Institute, State Bar of California, American Association of Museums, The Art Institute of California – Hollywood, The University of The Arts, Honolulu Academy of Art Center, Claremont College, California.

Institute of the Arts, Hollywood Film Festival, Otis/Parsons College of Art and of Design, California State Northridge, Art Center College of Design, Ringling School of Art and Design, Chaffee College, College of the Desert, Screen Actors Guild, The Graphic Artist’s Guild, The Center for Cultural Innovation, Los Angeles International Contemporary Art Fair and Art Expo New York.

Mr. Victoroff has served as a legal consultant to documentary films including “I Ain’t In It For My Health”, about Levon Helm, former vocalist and drummer for The Band, “Bombing LA”, about Los Angeles graffiti, “Kamikaze Hearts”, about the San Francisco and Los Angeles adult movie business, and NBC’s “Midnight Caller”.

In addition to authoring numerous articles on copyright and entertainment law, he is the editor and co-author of “The Visual Artists Business and Legal Guide” (Prentice Hall 1995) and a contributor to “Art and Museum Law” (Carolina Academic Press 2002), “The Musicians Business and Legal Guide” (Prentice Hall 2001), “How To Make and Sell Your Own Recording” (Prentice Hall 1999), “A Music Business Primer” (Prentice Hall 2003) ,“Entertainment Publishing and the Arts Handbook” (Clark Boardman 1990) and the “Handbook of Pricing and Ethical Guidelines” (GAG 2001-2010)and Hastings Communications and Entertainment Law Journal. His entertainment law interviews have appeared in USA Today, Los Angeles Times, Los Angeles Daily Journal, Art and Business News, Long Beach Press-Telegram, People, Los Angeles Lawyer and Keyboard Player magazines.

Mr. Victoroff is the past President of the Beverly Hills Bar Association Barristers and a founding member of its Committee for the Arts. For his pro bono volunteer legal services Greg has received awards from the American Bar Association, the Beverly Hills Bar Association, the Boy Scouts of America, the Urban League and former Los Angeles Mayor Tom Bradley. In 2008 he received the first Artistic License Award presented to an individual attorney from California Lawyers for the Arts.

Mr. Victoroff received a B.A. in Theatre and teaching credential from Beloit College in 1976 and received his J.D. degree from Cleveland-Marshall College of Law in 1979. In 1978 he transferred from Cleveland-Marshall College of Law to the UCLA School of Law to study copyright and entertainment law with the late Melville Nimmer and art law with Monroe Price.

As a musician Mr. Victoroff has backed artists such as Santana, Huey Lewis and the News, Bobby McFerrin, Journey, Jefferson Starship and Graham Nash, Ernie Watts and Barbie Benton. He currently performs with the Los Angeles Lawyers Philharmonic Orchestra and his own jazz ensemble.

Irina Contreras is a Los Angeles born and bred interdisciplinary artist, cultural producer and consultant. She has worked for over ten years at the intersections of the arts, education and radical pedagogy within institutional and community based platforms. She is the founder of the 12 year-old project The Miracle Bookmobile and has pursued an art practice alongside her lifelong dedication to social and restorative justice practices. She earned her dual Master’s degree at California College of the Arts with an MFA in Social Practice and MA in Visual and Critical Studies. Additionally, she has done coursework in UCLA’s Social Research, Urban Planning and Public Policy Department as well as having worked for the San Francisco’s Public Health Department for two years. In 2006, Irina co-founded Night Kitchen as a women owned and run catering, healthful and wellness focused project. Eventually Night Kitchen expanded to include and center QTPOC and WOC centered affordable and sliding scale consulting, leadership development and production. Since then, Irina has focused on expanding her knowledge base within alternative economic structures including giving circles, fundraising and more. Her knowledge of cooperative and collective arts, business structures and strategizing comes from years of love and work for the various communities she has been a part of. She has strong roots in Oakland, where she has lived off and on since 1997. When Irina isn’t busy working on projects, she can be seen taking long walks throughout LA at sunset with her six month old bebe in tow.

Culinary artist Jocelyn Ramirez is a vegan cook, yoga instructor, and advocate for healthy food access in her community. After Jocelyn’s father was diagnosed with cancer for the second time, she created a plant-based superfood smoothie diet that made him dramatically stronger and helped with a quick recovery. In this process, she noticed the disproportion of healthy food options in the LA area after years of driving across town in search of healthier food for her and her family. This inspired Jocelyn to create a healthy food option for the Eastside community. She founded Todo Verde in 2015 with a mission to create delicious and healthy plant-based food options inspired by familiar flavors using Mexican and South American ingredients. Todo Verde's menu includes local, fresh, and organically grown ingredients from local small businesses, farmers, and a mission based food purchasing cooperative.

Judith Teitelman brings 35 years of experience helping grass roots, mid-sized and large organizations strengthen their management and resource generating capacities and effectively plan for the future. She is a strong proponent of initiatives designed to examine and challenge long-standing assumptions about nonprofit administration and is committed to helping organizations rethink "business as usual." Judith is also a mentor to artists working in all disciplines. A skilled, innovative designer and facilitator of meetings and retreats, she regularly works with Board and staff members to institute positive, effective change. Judith’s national consulting practice provides a full range of services tailored to meet the unique vision and particular needs of each organization and artist. As planning consultant, trainer, executive leadership coach and technical assistance specialist, Judith has worked with the National Endowment for the Arts, L.A. County Arts Commission, St. Louis Regional Arts Commission, Los Angeles’ and Nashville’s Centers for Nonprofit Management, Center for Cultural Innovation, Flintridge Foundation’s Nonprofit Leadership Program, Detroit’s College for Creative Studies, CalArts Community Arts Partnership (CAP), East West Players, PEN Center USA, Riverside Art Museum, Mobile Mural Lab, among many others. In her parallel realm, Judith’s first novel, "Guesthouse for Ganesha," is on the road to publication.

Kevin Seaman is a cultural worker with over a decade experience working with Bay Area arts communities whose expertise lies in grantwriting and strategy, cultural equity-based grantmaking, individual artist development and support, program evaluation, and event coordination. He was named one of SF Weekly’s 16 Artists To Watch in 2016 and recently completed a 20-month fellowship as an Association for Performing Arts Presenters’ Leadership Fellow. Kevin has formerly worked with San Francisco Foundation’s Art & Culture program and San Francisco’s Queer Cultural Center, and has reviewed applications for San Francisco Arts Commission, City of Berkeley and Endeavor Foundation for the Arts. He has led artist-focused workshops for the National Queer Arts Festival, Intersection for the Arts, Center for Cultural Innovation, Groundswell Institute, and San Francisco Friends of Chamber Music, and has promoted queer arts on a national level by co-facilitating workshops for Grantmakers in the Arts and APAP|NYC.

Leah Antignas is a consultant and facilitator, partnering with organizations to design and deliver custom programs in strategic planning, leadership development and career management. Currently, Leah is director of MBA Career Services at Mills College, where she is responsible for planning, management, program development and service delivery. She continues to coach individuals pursuing work in the arts, digital media and socially resonsible business. Prior to Mills College, Leah was an adjunct career adviser at University of California, Berkeley’s Haas School of Business and as an instructor at San Francisco State University and the Art Institute of California - San Francisco. She is also former director for Golden Gate University's Center of Academic and Professional Success. Leah’s background includes work in film production and the performing arts, as well as 10 years experience managing creative teams and producing products for Apple Computer, Broderbund Software and Purple Moon Media. She holds an M.A. in education from San Diego State University, and a B.A. in sociology from University of California, Los Angeles. Leah is a Master Career Counselor (MCC) and has a post-master’s certificate in career development from the School of Management at John F. Kennedy University. She is also an alumna of the Center for Creative Leadership where she received certification in program development methodologies and facilitation of leadership and organization assessment tools.

Leslie Scott is an International producer and Entrepreneur Educator for performing artists. She is the founder and AD of BODYART (www.bodyartdance.com) a NY & LA based multi-media contemporary dance theatre company. As an International producer, Scott has helped organized festivals in NYC, Beijing, and Edinburgh, and locally works as the Producing Director for Invertigo Dance Theatre. Ms Scott regularly travels across the country to work with artists on branding, marketing and producing goals. Scott holds a BFA in Modern Dance with an emphasis in photography from Texas Christian University and an MFA from CalArts in choreography. Her work has been performed in notable venues from LA, NYC, Dallas, Edinburgh and New Zealand. From 2010-2014 Scott ran BODYART Studio which provided free rehearsal space to local artists. This 1800 sq/ft arts space based in Long Island City, won praise from the Queens Arts Council for the PILLAR program. In 2013, The Decay Project was created as a dance film residency program that partners with different local communities across the globe. BODYART has just finished their fourth residency in Christchurch New Zealand and Malaysia/Indonesia in 2016. Ms Scott is also certified sommelier and enjoys incorporating all five senses into her coaching and choreographic projects.

Lyzette Wanzer is an Affiliate Artist at Headlands Center for the Arts, a member of the SF Writers’ Grotto, and a Parliamentarian for the National Writers’ Union Bay Area chapter. She has taught career skills and professional development workshops for writers at the Grotto, Mill Valley Public Library, Mechanics’ Institute Public Library, and the annual SF Writers’ Conference. Lyzette’s work appears in a breadth of literary journals and in The Chalk Circle: Intercultural Prizewinning Essays (Wyatt-MacKenzie). She has been awarded writing residencies at the Blue Mountain Center (NY), Kimmel Harding Center for the Arts (NE), Playa Summer Lake (OR), Horned Dorset Colony (NY), Virginia Center for Creative Arts, and Canada’s Banff Centre. She has received grants from CCI, San Francisco Arts Commission, Horned Dorset Artists’ Colony, and the Creative Capacity Fund.

Mari Riddle is the Executive Director of Grand Performances, and brings over 25 years’ experience in executive positions at nonprofits working in community economic development, performing arts, and adult literacy/education, most recently as Program Director of Community Partners. She has served as Executive Director of the Friends of the Levitt Pavilion – MacArthur Park, the Coalition for Women’s Economic Development, and TELACU Community Capital, where she was responsible for the strategic development, management and capitalization of a $6.5+ million CDFI that provided small business loans and business management workshops to small businesses operating in the low-to-moderate income communities of Los Angeles.

Marlon Fuentes brings design thinking and lean startup methods to the forefront of his work as a multi-disciplinary designer, researcher, and entrepreneur. By championing user experience and data, Marlon has changed not only the way he works, but also the organization’s he’s served and the thousands of professionals who have benefited from his dynamic training seminars. Among his fields of study, Marlon is currently interested in working with peers to develop ways of utilizing virtual reality technology for education and beacons for assistive technology. He is also a passionate speaker on the topics of agile learning, lean entrepreneurship, marketing analytics, human centered design, and micro-storytelling. Marlon was recently awarded the Best Mobility Award for an augmented reality application he and a team developed at the 2015 Google SF Makeathon for assistive technology. He was also chosen to be a 2015 Lean Startup Conference Ambassador and holds a degree in Ethnomusicology from UCLA where he conducted ethnography on people’s relationship with music, technology, and design. Marlon is a graduate of the UCLA Anderson School of Business Riordan MBA Program where he led business case presentations and learned strategy and leadership development from top MBA professors. He currently works at BuzzFeed Motion Pictures as a Virtual Reality 360º Producer. marlonfuentes.info

Michele Pred is an internationally exhibited artist who has been teaching professional development to artists for eight years. She is currently a senior adjunct professor at California College of the Arts, where she teaches Professional Practices. She has led workshops and portfolio reviews for Center for Cultural Innovation, Pro Arts Gallery, Kala Art Center, the Di Rosa, BayVAN and Napa Valley Arts Council. Her artwork has been exhibited in galleries, art fairs and museums in London, Stockholm, New York, Bologna, Miami, Los Angeles, Chicago and San Francisco. Her work is part of the permanent collections at the 21st Century Museum of Contemporary Art, the Contemporary Museum in Honolulu, HI and the Di Rosa Preserve in Napa, CA, and is held in numerous corporate and private collections. Reviews and articles about her art have appeared in The New York Times, ARTnews magazine, the International Herald Tribune, the San Francisco Chronicle, Travel and Leisure, ReadyMade, Art in America, WIRED, American Craft Magazine, Corriere della Sera (Italy) and on CNN, PBS, CBS, NBC, ABC, Associated Press television, MSNBC, TV4 and Dagens Nyheter (Sweden), and on numerous local newscasts across the country. Michele Pred received her B.F.A. from California College of the Arts. She is represented by the Nancy Hoffman Gallery in New York and the Jack Fischer Gallery in San Francisco.

Morrie Warshawski has worked in the nonprofit arts sector for over 30 years as an administrator, consultant, facilitator, teacher and writer. His practice has included work with state and regional government agencies (South Carolina, Missouri, Michigan, California), foundations (Bush, MacArthur, Pew Charitable Trust), the President’s Commission on the Arts and the Humanities, and numerous nonprofit organizations in many disciplines (Operation Shoestring, California Coalition for Youth, Michigan Alzheimer’s Organization, San Francisco Museum of Modern Art, St. Louis Black Repertory Company, and others.) He was executive director of three nonprofits (including Bay Area Video Coalition). Warshawski has extensive experience in the area of strategic planning. He designed and edited a Web site devoted to strategic planning essays for the National Endowment for the Arts called LESSONS LEARNED; and for many years was one of the consultants for the NEA’s Advancement Program, which provided 15 months of planning assistance to organizations throughout the U.S.

Nancy discovered the field of Arts Administration in 1998 and gleefully left the ad agency world behind. She started Hytone Arts Management in 2004 and now works with a diverse array of arts organizations throughout California and the U.S.
In addition to providing marketing, development and management guidance to arts organizations, Nancy creates and presents marketing and fundraising workshops for
both artists and arts organizations on behalf of the Center for Cultural Innovation (CCI), LA County Arts Commission, California Presenters, and the National Arts
Marketing Project and is currently a Visiting Instructor at UCLA in the Department of World Arts and Culture/Dance. Nancy served as editor/content developer for the all-new 2nd edition of CCI’s ground-breaking publication, Business of Art: An Artist’s Guide to Profitable Self Employment which was published in January 2012. She authored the book’s marketing chapters in both the original edition (published in 2008) and the new version. In 2009, Nancy was elected to the Board of Trustees for the Pasadena Arts Council and was named President in 2016.
She started her non-profit career as a consultant for the San Francisco Business Volunteers for the Art program. From 1998 - 2004, Nancy was the Director of Marketing
and Development for Playhouse West in Walnut Creek, CA. Previously, Nancy held senior account management positions at three of California’s largest advertising
agencies working on national brands such as Toyota, Saturn, Honda, Leap Frog Toys, Disney Channel, and California Pizza Kitchen. Nancy received a graduate
certificate in Arts Administration from Golden Gate University and her B.A. from Iowa State University.

Nancy Walch is a partner in Walch Consulting, LLC. Nancy founded Walch Consulting in 1973 based on her passion for supporting inspired leaders and making life better for people by building healthy relationships among business, the arts community, government and nonprofit organizations. Walch Consulting provides coaching, strategic planning and project development services to a wide range of clients, including Fortune 500 companies, entrepreneurs, artists, arts and cultural organizations and new and established nonprofit organizations. Nancy enjoys the challenge and creativity involved in responding to the rich diversity of her client’s needs, which includes refocusing the vision, mission and philanthropic programs of well-established corporate foundations as well as small nonprofit cultural and social service organizations. A considerable part of her work involves coaching nonprofit executives and board leaders with the responsibility of taking their vision to the next level. For further information see: www.walchconsulting.com

Ron Evans is principal consultant at GroupofMinds Arts Marketing + Technology Consultants, and is a leading developer and researcher of arts marketing and audience development using technology. His primary area of interest is the exploration of emerging technologies and their impact on patron behavior in expanding arts audiences. He has a history in the field of social interactions using technology, and is currently studying the uses and best practices of social networking and mobile applications and their potential to communicate with cultural audiences. His Web site is groupofminds.com.

Shamell Bell is a mother, community organizer, choreographer and PhD student in Culture and Performance at UCLA’s World Arts and Cultures/Dance. Bell received her M.A. in Ethnic Studies from UC San Diego and B.A. with Honors in American Studies and Ethnicity specializing in African American Studies at the University of Southern California. Involved in the original formations of the #blacklivesmatter movement, she is a core organizer with Black Lives Matter Los Angeles alongside prominent organizers Patrisse Cullors and Professor Melina Abdullah. Her activism focuses on using her artistic talent and knowledge of arts and culture for the movement. She is also a member of Blackout 4 Human RIghts with notable directors Ryan Coogler, Ava Duvernay, Jesse Williams, among others, serving as a community organizer liaison assisting with campaigns such as #Justice4Flint and #iKneelwithColin.

She also co-founded, the Black Infinity Complex, a liaison organization building coalitions and an united front between those fighting against Black premature death and state-sanctioned violence. The Black Infinity Complex launched a freedom school based off of Fred Moten and Stefano Harvey’s “The Undercommons: Fugitive Planning & Black Study” that received rave reviews in Robin DG Kelley’s “Black Study: Black Struggle” in the Boston Review (March 2016).

Shamell’s work on what she refers to as “street dance activism” situates dance as political action from her perspectives as a dance and performance scholar, a dancer, and an active member and choreographer for the Black Lives Matter movement. Shamell has a long history and experience with street dance movements and as a dancer in David LaChapelle’s documentary “Rize,” in addition to featured roles in various music videos, award shows, and tours. She also conducted original research with the Ranger$, a well-known dance crew in the Jerkin’ movement, for her undergraduate senior thesis. Shamell’s doctoral research currently extends this work with a performance studies lens and historio-geographical anaylsis of street dance movements in South Central Los Angeles. Her passion is to create a dialogue between the street dance community, activist community, and the academy that includes the street dancer’s actual presence at academic institutions in the form of dancing, speaking, teaching, and writing. When she is not occupying the police station or leading chants at demonstrations with BLMLA, she can be found playing with her 6 year old son, Seijani aka “Johnnie”, and even including him in peaceful demonstrations.

Stephen Benjamin, CPA, CFP® teaches “Tax Tips for Artists,” but don’t let that workshop name mislead you. The workshop is really all about the tax aspects of being a self-employed artist; someone is truly trying to earn a living from their art, and would like some guidance and understanding about our Federal Tax laws (and a few local items) and how these laws can impact them. Stephen, who earned his master’s degree in business administration from Michigan State University, is a sole practitioner himself and works with a diverse group of self-employed clients, many of the in the entertainment industry. He understands the struggles of being an artistic person and having to deal with the business aspects of a creative industry. In addition to his business credentials, he has studied and performed in the areas of comedy, improv, writing and singing. He wants to help artists learn to exercise both sides of their brains and gain enough knowledge about money and taxes so that they can focus on their creative endeavors without jeopardizing themselves financially. He always tries to make his workshop entertaining and enjoyable, and includes a wealth of written information and reference materials for participants to take away and use after the workshop is over.

Yesenia Sanchez is a professional coach and arts management consultant based in the San Francisco Bay Area. She has over 10 years experience working with artists and arts organizations as an executive director, finance manager, administrative director, program director, coach and consultant. She ran one of the largest artist incubation programs in the country at Intersection for the Arts and is currently a founding member of C2Arts – Consultants and Coaches for the Arts. She received her coach training through the Coaching & Philanthropy Project, where she and 40 other nonprofit leaders nationally were put through coaching training programs to explore the value of the coaching model in supporting nonprofit environments and in underserved communities. Yesenia has served as a panelist and presenter for Theatre Bay Area, San Francisco Arts Commission, San Francisco Foundation & Grants for the Arts “Best Practices Series", and the National Performing Arts Convention. She is a trainer and featured author in the Center for Cultural Innovation’s "Business of Art: An Artist’s Guide to Profitable Self-Employment", authoring the chapter on financial literacy for artists. www.c2arts.com.

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Upcoming Events

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Apr 17, 2018: ArtSpan Artist Workshop: Interview with a Creative Agent, Presented by Joen Madonna
Apr 21, 2018: CCI - The Business of Art: Entrepreneurial Training for Artists - LA
Apr 23, 2018: Advocacy Leadership Institute

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